The Studio

A small room
with tall windows
on Salterbeck Street.

Joyce Ganzermiller in the studio
— Plate ii. Joyce Ganzermiller, founder
§ Founder

Joyce came to Pilates the way most of her students come to it now — in pain, looking for something that worked.

A back injury at twenty-five took her out of hospital administration and put her on a Reformer for the first time. She had been running a unit; now she could not pick up a glass of water without pain. The body she rebuilt over the next two years became the studio she would teach in.

She moved to Mount Pleasant in 2005 and opened Lowcountry Power Pilates the same year. Six hundred training hours, every major certification on the classical track, and twenty years of continuing education since.

What that means in practice: she has worked with the bodies of ninety-pound recovering surgical patients and three-hundred-pound marathoners, and with everyone in between. She knows anatomy better than the anatomy poster on the wall, and she will tell you when something is wrong before you have finished the sentence describing it.

The platinum rule, she says, came from hospital administration. Treat the client the way they want to be treated. Not the way you would.
Inside the studio
— Plate iii.The studio floor
§ Philosophy

Maximum results.
Minimal effort.

The four words Joseph Pilates wrote in 1934 are still the instruction. Effort and exhaustion are not the same.

Anatomical

Every cue traces back to a structure. We name the muscle. We follow the line of force. The studio is a literacy program for the body.

Conservative

We grow the difficulty when you have earned it. Three privates before group Reformer is non-negotiable. We are not in a hurry.

Rehabilitative

Pilates began as a method for injured dancers and bedridden soldiers. It returns to that when called. Most of our clients arrive having tried something else first.

Communal

The studio is small on purpose. Members know each other's names. Joyce knows your hip replacement, your half marathon, your daughter's name. The work is private but the room is not lonely.

§ Apparatus

Six pieces of equipment. Each one a teacher.

  1. 01
    Reformer
    The work's centerpiece. Spring-loaded, infinitely adjustable.
  2. 02
    Cadillac
    A four-poster bed of resistance — trapeze, push-through bar, springs above and below.
  3. 03
    Wunda Chair
    Joseph Pilates' apartment-sized creation. Small, brutal, total.
  4. 04
    Tower
    Vertical springwork. Strength meets length.
  5. 05
    Ladder Barrel
    Curved wood for spinal articulation and the obliques you forgot you had.
  6. 06
    Mat & Props
    The original syllabus, sharpened with rings, balls, and rollers.
Studio detail
§ Begin

Three privates, then group.

New clients begin with three private sessions before joining group classes. It lets us learn your body and lets you learn the vocabulary. After that, the studio is yours.

Book your first private